Easy Otabor’s Transition From Streetwear Buyer to High Curator

  • March 11, 2020
  • 3 Min Read

Isimeme “Easy” Otabor is one of those digitally ubiquitous figures whose presence is often seen in the periphery of luxury’s new guard. The frequent traveler sits in the front rows of Paris Fashion Week’s hottest shows, finds time to visit blue chip art galleries, and always seems to be in the most popping places at the most popping times.

Ultimately I’m just trying to show people you don’t have to be a rapper or a basketball player. You can design the jerseys, you can do stage design, you can do the art for the album cover. There are other ways to get involved in the culture.

Easy Otabor

The 33-year-old got his start in Chicago’s RSVP Gallery, wearing many hats as a buyer, manager, and general plug before taking his talents to Saint Alfred, the Windy City’s most-tenured purveyor of covetable kicks and the kind of goods where fashion, streetwear, and great taste all meet in the middle. In 2015, he founded Infinite Archives, a label informed by nostalgia and an appreciation of honed aesthetics. It’s a platform he’s used to work with artists like Georgia Bayliss, Yue Wu, and Matt McCormick.

“I think there are other lanes where fashion and streetwear could still go,” says Otabor, a self-taught art collector and advocate for breaking barriers in the art world. “Even if you can’t afford a KAWS piece, maybe starting with a [KAWS x Dior] wallet, you feel just as involved, and when you do get the money to finally [buy a piece], that was your gateway. I believe in creating more gateways.”

Late last year, Otabor opened Anthony Gallery in a converted garage at 470 N. Milwaukee Avenue. He started with two pre-opening shows before debuting “1988,” the gallery’s first official show, during NBA All-Star Weekend. The exhibition is a group show featuring 26 new works from an eclectic array of 19 established artists, including Wes Lang, Sterling Ruby, Nina Chanel Abney, Sayre Gomez, Dr. Woo, Koichi Sato, Erik Parker, Matt McCormick,  Yue Wu, and Tyrrell Winston among others.

The name of the show is a not-so-subtle nod to the last time NBA All-Star Weekend took place in Chicago, an era when Michael Jordan and the Bulls dominated the basketball scene. As such, much of the works pay homage to his royal Air-ness, but others diverge and instead explore the mythology of Chicago itself.  Otabor has a very laissez-faire approach to his collecting, but no doubt has a very trained eye from his years as a fashion buyer. It manifests in the variety of artists whose works complement each other in different ways. Otabor is also no stranger to supporting new artists but doesn’t necessarily see the act as a way to make an early investment.

“If it turns into something else later where it’s worth some money, that’d be great. But if it doesn’t, at least I can wake up every day, really enjoy looking at it, and know I helped a creative person out in their way of living,” he says.

Anthony Gallery is currently on view by appointment only, but in the meantime, Otabor walks us through several pieces in the “1988” exhibition that have a special significance to him.